About Light & Form
Drawing a figure convincingly comes down to one thing: seeing how light turns across a form. Light & Form gives you sculptures to study that with. Pick one, turn it to any angle, put the lamp wherever you like, and draw what you see.
Why sculpture
For centuries, art academies taught drawing in cast rooms, halls of plaster copies of famous sculpture. Before students drew a live model, they drew casts. A cast holds still for as long as you need, and its single pale color hides nothing: no skin tones, no patterns, no glare, just form and the light on it. You can see clearly where the light side ends, where the form shadow begins, how cast shadows fall, and how reflected light lifts the dark side.
Here the casts are 3D scans of real sculptures, and the light is yours to move. One sculpture can give you a hundred different studies.
Ways to practice
- Start with the Asaro head. Its flat planes make it easy to see where the light turns. Then look for the same planes in a real face, like Napoléon or the Pseudo-Seneca.
- One sculpture, three lights. Draw the same view lit from the front, from the side, and from behind, and see how much the form seems to change.
- Two values only. Squint and split everything into light and shadow before you add any halftones. The plain marble makes the shapes easy to read.
- Quick studies. Turn the model a little every few minutes and draw it again. Short poses train your eye faster than one long one.
Using the viewer
- Drag to turn the model. Scroll or pinch to zoom, and right-drag to pan.
- Drag the bright spot on the ball in the top right to move the light, or use the arrow keys. Drag it into the dotted outer ring to put the light behind the model.
- Double-click any part, like a face or a hand, to turn and zoom around it. The crosshair button does the same with a single click, and the arrows button brings the whole model back.
- The bookmark button saves your exact view, light included, and the button below it takes you back to it. Each model remembers its saved view in your browser.
- The slider under the ball sets the background from black to light gray. It stays set on every page.
The light stays fixed to the model as you turn it, just like a lamp in a studio.
The Asaro head
The Asaro head is a human head reduced to flat, angled planes. On a plane head each surface faces one way, so it takes a single value. That shows you plainly where the light turns, where the form shadow starts, and where shadows fall under the brow, nose and lip. Once you know the planes, you start to see them in every face.
John Asaro, an American painter born in 1937, developed the Planes of the Head while teaching figurative painting at Art Center College of Design in Pasadena. The physical head has been available since 1976. The one here is “Asaro Head” by AgentSCAD, a fan recreation shared under CC BY-SA. It is not the official sculpture, which you can buy from planesofthehead.com.
Where the models come from
The sculptures are scans made in museums, from three sources: Three D Scans, an archive started by Oliver Laric that publishes its scans free of copyright restrictions; Scan the World on MyMiniFactory; and SMK, the National Gallery of Denmark, which has released its plaster casts into the public domain. Each scan was converted for the web and given one plain marble finish. Scans shared under CC BY-NC-SA keep that license here.
- Napoléon Ier by François Joseph Bosio, Nouveau Musée National de Monaco. Scan: Three D Scans
- Torso, Uffizi, Florence. Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Head of Saint John the Baptist on a Platter (1430, oak), Bode Museum, Berlin. Scan: Three D Scans
- La Nymphe Salmacis by François Joseph Bosio (1819–1837, marble), Nouveau Musée National de Monaco. Scan: Three D Scans
- The Three Graces, Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Head of Michelangelo’s David (plaster cast, KAS 2232), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Laocoön and His Sons (plaster cast, KAS 285), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Sleeping Bacchante (marble). Scan via MyMiniFactory
- Einstein by Artur Loewenthal (20th century, bronze), The Collection, Lincoln. Scan: Three D Scans
- Enfant au Chien (restored), 1st century, marble, Musée de la Romanité, Nîmes. Scan: Three D Scans
- Sleeping Venus (1st–2nd century AD, marble), National Museums Liverpool. Scan: Three D Scans
- Statue of Resting Goat (3rd century BC, marble), Fondazione Torlonia. Scan: Three D Scans
- Triton by Caspar Gras (1622/30, bronze), Ferdinandeum Innsbruck. Scan: Three D Scans
- Oceanus by Caspar Gras (1622/30, bronze), Ferdinandeum Innsbruck. Scan: Three D Scans
- Aphrodite (Roman copy after Praxiteles, 2nd century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Child with Goose after Boethus (plaster copy of the marble original), Institut für Klassische Archäologie, Vienna. Scan: Three D Scans
- Drame au désert by Georges Gardet (1887, plaster), Dépôt des sculptures de la Ville de Paris. Scan: Three D Scans
- Deux chiens de meute à l’attache by Georges Lucien Vacossin (1911), Dépôt des sculptures de la Ville de Paris. Scan: Three D Scans
- Hermes Fastening his Sandal (plaster), Institut für Klassische Archäologie, Vienna. Scan: Three D Scans
- Horse Head (“Medici Riccardi” horse, second half of the 4th century BCE, bronze), Museo Archeologico Nazionale, Florence. Scan: Three D Scans
- Jüngling vom Magdalensberg (16th century, bronze), Kunsthistorisches Museum Wien. Scan: Three D Scans
- Marble Player by Ella Rose Curtois (19th century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Mars by John Bacon (18th century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Mercury by Joseph Nollekens (18th century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Napoleon by Antoine Denis Chaudet (marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Neptune (restored by Iustinian Funie), Musée de la Romanité, Nîmes. Scan: Three D Scans
- Sleeping Shepherd Boy by John Gibson (1834, marble), Walker Art Gallery, Liverpool. Scan: Three D Scans
- Tennyson (plaster), The Collection, Lincoln. Scan: Three D Scans
- Hunter and Dog by John Gibson (19th century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Boy with Thorn (plaster), Institut für Klassische Archäologie, Vienna. Scan: Three D Scans
- Venus Kissing Cupid by John Gibson (19th century, marble), The Usher Gallery, Lincoln. Scan: Three D Scans
- Rhinocéros by Henri-Alfred Jacquemart (1878, plaster), Dépôt des sculptures de la Ville de Paris. Scan: Three D Scans
- Striding Eagle (16th century, marble), Saint Louis Art Museum. Scan: Three D Scans
- Efebo (Idolino from Pesaro) (c. 30 BCE, bronze), Museo Archeologico Nazionale, Florence. Scan: Three D Scans
- Venus Italica after Antonio Canova (plaster cast), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Hand of the Genius of Liberty from La Marseillaise, after François Rude (plaster cast). Scan: Scan the World
- Alexander as Helios (plaster cast, KAS 283), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Athlete Wrestling a Python by Frederic Leighton (1877, bronze), Tate Britain, London. Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Head of a Bearded Old Man, Victoria and Albert Museum, London. Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Bust of Medusa by Gian Lorenzo Bernini, Musei Capitolini, Rome. Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Diana after Frilli. Scan: Jadyn N. Marshall. CC BY-NC-SA 4.0, converted for the web
- Marcus Aurelius (Roman portrait bust). Scan via MyMiniFactory
- Trotting Horse, Nationalmuseum, Stockholm. Scan via MyMiniFactory
- David by Michelangelo (1501–1504, marble), Galleria dell’Accademia, Florence. Scan: Scan the World. CC BY-NC-SA 4.0, converted for the web
- Townley Discobolus after Myron (plaster cast, KAS 1074), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Moses by Michelangelo (plaster cast, KAS 243), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Augustus of Prima Porta (plaster cast, KAS 65), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Head of the Farnese Hercules (plaster cast, KAS 701), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- A Little Girl with Kittens by Jens Adolf Jerichau (1856, marble, KMS 5471), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Nymph Preparing for the Bath by John Gibson, The Usher Gallery, Lincoln. Scan: Three D Scans
- Pseudo-Seneca (plaster cast, KAS 94), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Bust of Lord Brotherton by Ivan Meštrović (bronze), University of Leeds Art Collection. Scan: Scan the World
- Farnese Hercules (small plaster cast), Anatomical Museum, University of Edinburgh. Scan: Anatomical Museum
- Eurydice Dying by Charles-François Lebœuf (1822, marble), Louvre, Paris. Scan: Scan the World
- Sleeping Hermaphroditus, Louvre, Paris. Scan: Scan the World
- The Slave Girl by Jens Adolf Jerichau (1852, marble, KMS 5025), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- Venus with the Apple by Bertel Thorvaldsen (KMS 6004), SMK, Copenhagen. Scan: SMK. Public Domain Mark
- The Mist by Gusten Lindberg (1904, marble, NMSk 955), Nationalmuseum, Stockholm. Scan: Nationalmuseum
- Pauline Bonaparte as Venus Victrix by Antonio Canova (1805–1808). Scan: Scan the World
- Perseus Slaying Medusa by Laurent Marqueste (marble, MIN 588), Ny Carlsberg Glyptotek, Copenhagen. Scan: Ny Carlsberg Glyptotek